About Us
Rooted in Eastern aesthetics and philosophy, including concepts such as emptiness, rhythm, and contemplative pause, we translate these sensibilities into experiential languages within immersive environments, responding to the accelerated conditions of contemporary life.
About the Founder
Rooted in Eastern philosophy, her work examines the subtle boundary between presence and illusion, unfolding contemplative environments through multi-perspective storytelling and spatial rhythms informed by Eastern aesthetics. Her projects have received international recognition, including SIGGRAPH Asia and the Interactivity Prize at the NewImages Festival, among others.
Following these experiences, she founded this studio as a platform for developing immersive works that favor quiet intensity over spectacle—spaces designed not to accelerate attention, but to invite pause, awareness, and embodied reflection.
Studio Introduction
VR is approached not simply as a technology, but as an emergent medium for spatial narrative and embodied reflection—where new perceptual languages can be composed. Through ongoing research and experimental practice, the studio develops immersive works that favor depth over spectacle, and reflection over speed.
We approach immersive media not as a container for images, but as a field where perception, awareness, and meaning are shaped through spaces.
Our practice is research-driven, exploring how spatial scale, rhythm, and interaction guide embodied experience and relational perception. Narrative emerges through presence and sensory encounter rather than linear exposition. Interaction is treated as a relational gesture between the participant, the environment, and the self, supporting reflection, attentiveness, and quiet emotional resonance.
Drawing from Eastern ways of sensing — including pause, distance, and emptiness — these qualities function as narrative structures rather than visual motifs, inviting slower perception and experiential depth in an accelerated world.