— Research Milestone
    Release of the Perceptual–Temporal Framework V1.0
     Aprl 2026

Following several years of research and creative practice, the first relatively complete version of the Perceptual–Temporal Framework has been released, marking a key milestone in the development of a structural approach to understanding immersive experience.
The framework addresses a central question: under what experiential conditions can immersive experiences remain coherent rather than fragment as interactivity and information density increase? It provides a structured approach to analyzing and evaluating immersive works through spatial conditions, body–environment relations, and temporal organization, enabling the identification of key structural issues within experience.
The research is grounded in a structural alignment between XR-related theories, phenomenology, and East Asian aesthetic philosophy, and has been continuously developed and refined through creative practice and critical analysis of immersive works, establishing a reciprocal relationship between theory and practice.
The current release represents a relatively complete articulation of the system at its present stage. Further development will continue through cross-disciplinary dialogue, comparative analysis, and ongoing practice.

→ Framework full article

→ Theoretical Grounding full article

— Research Development | 
    Reframing Immersive Experience
    How Meaning Emerges in Immersion: Series Introduction
    Aprl 2026

Amid the rapid development of immersive content, this research observes a critical pattern: despite growing technical complexity and strong conceptual intent, many works struggle to sustain coherence over time, often leading to experiences that gradually loosen or dissipate.In response, this article proposes a structural perspective for re-examining how immersive experiences form. Rather than evaluating works solely through content, immersion, or interaction, it identifies recurring structural tendencies that shape how experience is constructed, organized, or broken down.These include the separation between concept and experience, unstructured sensory intensity, non-transformative interaction, and narratives that remain unembodied. By reframing these patterns, the article lays a foundation for subsequent case analyses and offers new approaches to understanding and evaluating immersive works.

→ Full article

— International Evaluation Experience Informing the Research Framework
     Mar 2026

Evaluation experience offers a comparative perspective across diverse practices, informing the refinement of the Perceptual–Temporal Framework and reinforcing the link between theory and practice.

— Research Development | 
    Meaning Generation in Immersive Space
    A Perceptual-Temporal Framework — Temporal Unfolding of Experience
    Feb 2026

Building on years of immersive practice and theoretical inquiry, this essay proposes a structural framework for understanding the formation of meaning within immersive environments. Although dramatic escalation has traditionally served as a central mechanism in narrative construction, this research does not aim to replace it. Rather, it expands the focus to consider how meaning may gradually emerge through the modulation of perceptual states. Drawing on phenomenology and East Asian aesthetic philosophy, the essay develops a perceptual-structural approach in which shifts in spatial relations, rhythmic calibration, and embodied reorientation serve as generative conditions. In this perspective, immersive experience can foster layered and recursive understanding through variations in temporal unfolding and perceptual density.
This publication marks a shift from theoretical clarification to structural modeling. It introduces a perceptual framework through which meaning may emerge within specific spatial and temporal configurations.

→ Full article

— Research Milestone |
    Eastern Aesthetics Beyond Form: Emptiness and Pause in an Accelerated World
    Feb 2026

This essay represents a transition in the studio's immersive practice toward explicit theoretical articulation.
Reflections developed over years of experimentation are systematically organized and articulated in this essay. Instead of treating East Asian ink aesthetics merely as a stylistic reference, often limited to dispersed perspective and shifting viewpoints, this analysis re-engages with its foundational structural logic. It focuses on relational fields of vision, spatial dispersion, and temporal openness, examined in relation to phenomenological accounts of lived experience.
In the context of accelerated contemporary conditions, emptiness and pause are re-examined as mechanisms for perceptual recalibration. They enable time to be perceived as both progression and layered unfolding. This publication formalizes a longstanding line of inquiry and establishes the conceptual foundation for future structural modeling.

2026
Engagement with International Evaluation Contexts

Participation in professional evaluation processes in the international XR and immersive field extended the ongoing inquiry on experiential structures to assessing diverse immersive works.

22026
System Consolidation & Ongoing Validation
The perceptual framework enters a phase of consolidation, with new works extending and testing its structural coherence.

—  Professional Presentation | SIGGRAPH Asia XR 2025
     Dec 2025

Trans-composition was selected for the 2025 SIGGRAPH Asia XR program and presented as a creative research case study within the conference.
The presentation extended beyond the work itself, articulating how the research framework materializes within immersive space. It focused on three key dimensions.

—  Ji.hlava Documentary Film Festival: A special mention went to the poetic, interactive VR experience Trans-composition by director Shiuan Yan.
Nov 2025

The jury gave the following statement: “We particularly enjoyed the interplay of light and shadow and its deep connection to the author's culture and its symbolic underpinnings. The ties to idealized and rarefied personal memories that become, in turn, universal. The intricacies of an architecture that mirrors the intricacies of the self. And the narrator's voice that guides you throughout on a journey of amazement and wonder.”

—  Everything We Saw At NewImages Festival 2025 — UploadVR
      April 2025

"An experience that aims to poetically explore the idea of transformation. Inspired by Go and Chinese philosophical thought, it's an intriguing surrealist journey of self reflection that dives into the cycle of reincarnation and the soul."

—  Taiwanese director Shiuan Yan wins award at NewImages Festival 2025. — TAIWAN INFO.
     April 2025

— Trans-composition Receives the Interactivity Prize at the NewImages Festival, France ! — Taiwan Creative Content Agency.

— Celebrating the laureates creators at NewImages Festival 2025. — NewImages Festival.
April 2025

"Trans-Composition, by Shiuan Yan (晏萱), was recognized with the Interactivity Prize for its meditative and philosophically rich interface. Rooted in Chinese spiritual traditions, it crafts a surreal and contemplative journey through cycles of transformation. — NewImages Festival Jury"

2025
Recognition & System Maturation
Research-informed artistic works received sustained international recognition, including multiple awards.
The practice was acknowledged across artistic articulation, interactive structure, and theoretical formulation.

—  LAFA Winners. — Los Angeles Film Awards.
     Dec 2024

—  Official Selection- Celebrating 10 years. — Festival of International Virtual and Augmented Reality Stories (FIVARS).

2024
Recognition & Structural Convergence
Creation and research converged to articulate structural affinities between phenomenology and East Asian aesthetic philosophy.
Cross-cultural aesthetic systems were examined not as stylistic references but as layered structural mechanisms capable of being translated into immersive spatial form.
The consolidation of a more coherent perceptual framework.

2023
Embodied Temporality
The inquiry deepened into phenomenological embodiment and entered into dialogue with East Asian aesthetic philosophy, examining temporal articulation and spatial interval within immersive environments.
Perception was increasingly approached as modulation, a calibrated adjustment of experiential density.

2020–2022
Perceptual Reorientation
Early immersive practices, informed by surrealism, semiotics, and phenomenological embodiment, began to reposition perception as a relational spatial condition rather than a fixed viewpoint.
This phase initiated a gradual shift toward understanding interaction as structural .