Research & Spatial Narrative Approach
Our immersive works emerge from a research-driven practice that explores how perception, space, and interaction can become a narrative language. In response to the accelerated tempo of contemporary life, our approach draws from Eastern philosophy — particularly concepts of emptiness, pause, and interval — to create contemplative environments where meaning unfolds through presence, rhythm, and embodied awareness rather than linear explanation.
本工作室的沉浸式創作建立在研究導向的實踐之上，探索「感知、空間與互動」如何形成一套敘事語言。
在當代快速而加速化的節奏之中，我們取徑東方哲學中的「空、留白與間隔」，以此回應今日的感知結構：創造安靜而深層的沉浸式空間，使意義不依賴線性說明，而是在臨在、節奏與具身覺察中逐步展開。
Perception-Driven Spatial Narrative
感知導向的空間敘事
Immersive works that treat space as a narrative medium.
Through scale, rhythm, and spatial composition, perception becomes the core structure of storytelling, allowing meaning to emerge through lived sensory experience rather than plot resolution.
將「空間」視為敘事媒介。
以尺度、節奏與空間結構形塑敘事框架，讓感知成為故事的核心機制，使意義在感知歷程中生成，而非依賴情節推進。
Embodied Interaction & Reflective Experience
具身互動與反思型體驗
Interaction is approached as an embodied dialogue rather than task-based control.
Gestures, pauses, and spatial responses are designed to cultivate attentiveness, reflective presence, and a slower mode of perception within immersive environments.
將互動視為一種具身式對話，而非任務導向的操作。
透過動作、停頓與空間回應，培養專注與反思性的臨在感，在沉浸環境中形塑「更慢的感知節奏」。
Eastern Aesthetics as Perceptual Translation
東方美學的感知轉譯
取徑東方哲學中的「空、留白與非線性感知」，將文化感性轉化為可被經驗的感知語言。留白與間隔不作為裝飾符號，而是一種敘事節奏，形塑空間中所生成的距離、反思與靜默的共鳴。
Research-Based Immersive Practice
研究導向的沉浸式實踐
VR is treated not as a fixed format, but as an evolving medium for re-examining how we sense, inhabit, and reflect within accelerated societies, creating quiet yet powerful environments that resist speed and re-open the space of contemplative experience.
每一件作品皆源自持續性的研究 :指向感知、空間，以及當代注意力結構。
VR 不被視為固定格式，而是一種持續演化的媒介，用以在加速化社會中重新思考：我們如何感知、如何棲居、如何反思。因此，我們創造「安靜而有力量」的沉浸式場域，作為對快速節奏的回應與抵抗，重新開啟深度思考與感知停留的可能性。
