About Us

Studio Introduction

研究導向的沉浸式創作工作室
隅隱（Shiuan Yan Studio）為研究導向的沉浸式創作實踐工作室，專注於以感知為核心的空間敘事發展。立基於現象學與東亞美學哲學，透過沉浸式與空間媒介（包含 VR 等形式），探索空間結構、時間層次與具身互動如何生成經驗與意義。創作實踐構成研究方法本身，並持續透過理論發表與國際對話深化其結構框架。顧問與策略合作作為延伸形式，服務於更廣泛的文化與創作場域。

A Research-Driven Immersive Creative Studio
Shiuan Yan Studio is a research-driven immersive practice dedicated to developing perception-centered spatial narratives. Grounded in phenomenology and East Asian aesthetic philosophy, the studio works across immersive and spatial media (including VR) to explore how spatial structures, temporal layering, and embodied interaction generate experience and meaning.
Creative practice functions as research in action, continuously articulated through publication and international dialogue. Consulting and strategic collaboration operate as extensions of this research, supporting broader cultural and creative contexts.

About the Founder

晏萱（Shiuan Yan）為研究導向的沉浸式藝術創作者（VR導演），其實踐位於沉浸媒介中感知經驗與時間空間哲學的交界，關注意義如何在空間、時間、具身感知與互動所構成的關係場域中逐步生成。其理論根基奠基於現象學的感知結構，並結合東亞美學哲學之時間觀與空間思維，將「間 (Ma)」、感知節奏與具身定位等概念轉化為沉浸敘事中的結構原則。

多年實踐後，逐步形成以空間調節、具身定位、時間層次與互動為核心的感知框架，作為沉浸敘事的結構基礎，為以研究為導向的沈浸式創作與顧問背書。作品曾於 SIGGRAPH Asia XR 與法國 NewImages Festival 等國際平台發表並獲多項國際獎項肯定。互動類別的獎項，驗證與回應了其長期對感知作為生成條件的研究。

Shiuan Yan is a research-driven Immersive Artist (VR Director) whose practice explores the intersection of perceptual experience and spatial-temporal philosophy. Her work investigates how meaning gradually emerges within relational fields shaped by space, time, embodied attention, and interactivity. Grounded in phenomenological accounts of perception and informed by East Asian aesthetic philosophy, she translates concepts such as Ma (interval), perceptual rhythm, and embodied orientation into structural principles for immersive narrative environments.
Over time, her practice has been developing a perceptual framework for meaning generation, focusing on spatial modulation, embodied positioning, temporal layering, and interactivity in immersive storytelling, forming the basis of her research-driven approach to immersive creation and consultation. Her works have been presented at international venues such as SIGGRAPH Asia and the NewImages Festival in France, receiving multiple international recognitions. Awards in interactive categories demonstrate her sustained investigation of perception as a generative condition.

Approach | Perception as Narrative Structure

沉浸媒介被理解為感知場域，而非影像容器。研究關注尺度、節奏、具身轉向與校準的停頓如何構成意義生成的條件。空性與「間 (Ma)」並非缺席，而是形成層次理解的結構基礎。此方法擴展其場域，使深度在調節與回返中逐步顯現。

Immersive media is treated not as a container for images, but as a perceptual field structured by spatial relations. The methodology investigates how scale, rhythm, embodied reorientation, and calibrated pause function as generative elements through which meaning comes into formation. Drawing from Eastern aesthetic concepts such as emptiness and Ma, pause is understood as a structural condition for awareness and layered understanding. This approach expands the narrative field — allowing depth to emerge through modulation, return, and spatial-temporal articulation.