Research & Spatial Narrative Approach

Our immersive works emerge from a research-driven practice that explores how perception, space, and interaction can become a narrative language. In response to the accelerated tempo of contemporary life, our approach draws from Eastern philosophy — particularly concepts of emptiness, pause, and interval — to create contemplative environments where meaning unfolds through presence, rhythm, and embodied awareness rather than linear explanation



Perception-Driven Spatial Narrative


Immersive works that treat space as a narrative medium.
Through scale, rhythm, and spatial composition, perception becomes the core structure of storytelling,  allowing meaning to emerge through lived sensory experience rather than plot resolution.

Embodied Interaction & Reflective Experience


Interaction is approached as an embodied dialogue rather than task-based control.
Gestures, pauses, and spatial responses are designed to cultivate attentiveness, reflective presence, and a slower mode of perception within immersive environments.

Eastern Aesthetics as Perceptual Translation


Drawing on Eastern philosophy, particularly the concepts of emptiness, pause, and non-linear perception, VR becomes a medium for translating cultural sensibilities into experiential language.
Rather than decorative symbolism, emptiness and interval operate as narrative rhythm, shaping how space invites reflection, distance, and quiet resonance.

Research-Based Immersive Practice


Each project emerges from ongoing research into perception, space, and contemporary modes of attention.
VR is treated not as a fixed format, but as an evolving medium for re-examining how we sense, inhabit, and reflect within accelerated societies,  creating quiet yet powerful environments that resist speed and re-open the space of contemplative experience.